Classical Numismatic Group, LLC
Auction 109 12 Sep 2018
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ARKADIA, Stymphalos. Circa 350 BC. AR Stater (24.5mm, 11.91 g, 11h). Head of Artemis right, hair tied in bun behind her head, wearing laurel wreath, ornate earring with rosette, crescent, and five pendants, and pearl necklace / Nude Herakles striding left, lion skin around left arm, holding bow in left hand, preparing to strike with club held aloft in his right hand; ΣΤYMΦAΛIΩN to left, ΣΟ between legs. BCD Peloponnesos 1705 (same dies); HGC 5, 1022; BMC 6 = PCGS Period III.B, 50 = ACGC 320 (same obv. die); Boston MFA 1269 = Regling, Antike 665 = Warren 957 (same dies); Gulbenkian 560 = Jameson 1267; Kraay & Hirmer 514. Good VF, toned, minor porosity. Very rare, approximately 25 known, of which 15 are in museums.
The reverse design of this stater suggests that the artist had in mind a different approach to the myth of the Sixth Labor of Herakles when he engraved the die. According to the traditional rendering of the myth, Herakles, with the assistance of the gods Athena and Hephaistos, destroyed the Stymphalian Birds by shooting them down with his arrows once they took flight. Generally, this is the rendering of the event depicted on the coins – Herakles drawing his bow to take aim at the birds in flight. Such an active scene, however, when depicted on the coinage, results in a compact and often dense image. The engravers at Stymphalos, however, chose to employ a more novel and somewhat subtler design. Rather than adopting a literal interpretation, they chose to depict the hero in a more vigorous pose. Here, Herakles strides forth to do battle, lion skin flowing over his left arm behind him, while he holds his bow in his left hand (the only overt reference to the myth). His club, held in his raised right hand, is poised to strike. What he is about to strike, however, is the ethnic which curves upward in flight before him and serves as surrogate birds.
The reverse design of this stater suggests that the artist had in mind a different approach to the myth of the Sixth Labor of Herakles when he engraved the die. According to the traditional rendering of the myth, Herakles, with the assistance of the gods Athena and Hephaistos, destroyed the Stymphalian Birds by shooting them down with his arrows once they took flight. Generally, this is the rendering of the event depicted on the coins – Herakles drawing his bow to take aim at the birds in flight. Such an active scene, however, when depicted on the coinage, results in a compact and often dense image. The engravers at Stymphalos, however, chose to employ a more novel and somewhat subtler design. Rather than adopting a literal interpretation, they chose to depict the hero in a more vigorous pose. Here, Herakles strides forth to do battle, lion skin flowing over his left arm behind him, while he holds his bow in his left hand (the only overt reference to the myth). His club, held in his raised right hand, is poised to strike. What he is about to strike, however, is the ethnic which curves upward in flight before him and serves as surrogate birds.