Roma Numismatics Ltd
Auction XXI 24-25 Mar 2021
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Sicily, Syracuse AR Tetradrachm. Time of Agathokles, circa 310-305 BC. Wreathed head of Arethusa to left, wearing triple-pendent earring and necklace; three dolphins around, monogram below neck / Charioteer driving quadriga to left; triskeles above, ΣYPAKOΣIΩN and monogram in exergue. Ierardi 7 (O2/R3); SNG ANS 637 (same obv. die), cf. 632 (same rev. die); SNG Fitzwilliam 1327-8 (same obv. die); Boston MFA 458 (same obv. die); HGC 2, 1348. 16.97g, 25mm, 4h.
Good Extremely Fine; beautifully toned.
Acquired from Numismatica Ars Classica AG;
Ex Swiss collection, privately purchased from A. Tkalec AG in 1995.
With the usurpation of Agathokles in 317 BC, Syracuse once more monopolised the right of coinage for the whole of Sicily, even more distinctly than in the time of Dionysios. Yet the reign of Agathokles, as noted by Malcolm Bell (Morgantine Studies I, 1981) "was a watershed for the arts in Sicily, just as it was for politics. The change from a conservative late-classical style to the new modes of the early-Hellenistic period came very quickly, within the space of a decade, and it coincided with the replacement of democratic government by the new monarchy. It is clearly perceptible in the coins that... document the full acceptance of early-Hellenistic style."
Depicted often as a cruel and unscrupulous adventurer and tyrant, Agathokles achieved little of lasting historical importance; indeed after his death anarchy erupted both in Syracuse, where a damnatio memoriae was decreed, and in other places that had been under his rule (Diod. Sic. 21. 18). Nonetheless, his patronage of the arts left a legacy of beauty as embodied by a small number of surviving works of art from his reign, and smaller but no less wonderful objects such as this stunning coin.
Good Extremely Fine; beautifully toned.
Acquired from Numismatica Ars Classica AG;
Ex Swiss collection, privately purchased from A. Tkalec AG in 1995.
With the usurpation of Agathokles in 317 BC, Syracuse once more monopolised the right of coinage for the whole of Sicily, even more distinctly than in the time of Dionysios. Yet the reign of Agathokles, as noted by Malcolm Bell (Morgantine Studies I, 1981) "was a watershed for the arts in Sicily, just as it was for politics. The change from a conservative late-classical style to the new modes of the early-Hellenistic period came very quickly, within the space of a decade, and it coincided with the replacement of democratic government by the new monarchy. It is clearly perceptible in the coins that... document the full acceptance of early-Hellenistic style."
Depicted often as a cruel and unscrupulous adventurer and tyrant, Agathokles achieved little of lasting historical importance; indeed after his death anarchy erupted both in Syracuse, where a damnatio memoriae was decreed, and in other places that had been under his rule (Diod. Sic. 21. 18). Nonetheless, his patronage of the arts left a legacy of beauty as embodied by a small number of surviving works of art from his reign, and smaller but no less wonderful objects such as this stunning coin.