Roma Numismatics Ltd
E-Sale 82 15 Apr 2021
View prices realized
► Sale information
Find similar lots
Julius Caesar AR Denarius. Posthumous Issue. Rome, 40 BC. Q. Voconius Vitulus, moneyer. Laureate head of Caesar right / Bull-calf walking left; Q•VOCONIVS above, VITVLVS•Q• DESIGN in two lines below, S-C across fields. Crawford 526/4; CRI 331; Sydenham 1133; BMCRR Rome 4311-2; RSC 45. 3.54g, 19mm, 12h.
Near Very Fine; hairlines on obv., banker's marks, light cabinet tone. Rare.
Acquired from Heritage Auctions Europe.
In 40 BC when this coin was struck, upon learning of the defeat of his brother Lucius and wife Fulvia in the Perusine War, Marc Antony set sail for Italy with a small army and two hundred ships which he had built in Asia. Arriving at Athens, Antony was met by his wife Fulvia and his mother Julia, who had taken refuge with Sextus and been sent by him with warships from Sicily. She was accompanied by some leading Pompeians whose aim was to bring Antony and Sextus into alliance against Octavian. Antony's response to the embassy was to offer alliance in case of war and reconciliation in case of peace, suggesting that Antony believed that a lasting partnership with Octavian was still possible. These new lines of communication with Sextus provided an avenue by which former supporters of the liberators could find their way back from exile; the most prominent of these was Ahenobarbus, who met Antony at sea with his whole army and fleet; this combined force moved together to Brundisium, which was refused entry to the harbour by Octavian's commander.
Despite initially laying siege to Brundisium, the triumvirs were able to negotiate a settlement that provided for a continued peace between them. The Treaty of Brundisium confirmed the de facto state of affairs, while further binding Octavian and Antony through the ill-fated marriage of Octavian's sister Octavia to Antony. Antony furthermore received legions for his planned invasion of Parthia and Octavian received warships to counter the ongoing threat posed by Sextus Pompey. This issue depicts the now deified Caesar on the obverse, sometimes with a lituus – the augur's staff representing his membership to the priestly college of augurs. Octavian's possession of the augurship was also made clear on an issue with his portrait struck by the same moneyer (CRI 330) emphasising his relationship to Caesar, a propaganda tool also employed by Marc Antony (see CRI 253-5, 257-8). It is well attested how Octavian capitalised tremendously on his posthumous adoption by Caesar; in truth he owed everything he eventually achieved to this twist of fate. Octavian used Caesar's reflected but undimmed prestige to legitimise himself and his ascent to power in the eyes of the Roman people and more importantly the legions, and thus the continuation of (often idealised) Caesar portrait issues at the Roman mint under Octavian's control is hardly surprising.
Though struck during a period of high tension as opposing factions pulled the Republic apart, the reverse type seen here remains unsullied by the events of the day, the moneyer choosing a strictly personal, though perhaps unflattering, composition instead: his cognomen Vitulus translates as cow or calf. Unusually for silver issues however, this particular type declares that it was struck under the express mandate of the Senate, displaying the formula S C flanking the main design.
Near Very Fine; hairlines on obv., banker's marks, light cabinet tone. Rare.
Acquired from Heritage Auctions Europe.
In 40 BC when this coin was struck, upon learning of the defeat of his brother Lucius and wife Fulvia in the Perusine War, Marc Antony set sail for Italy with a small army and two hundred ships which he had built in Asia. Arriving at Athens, Antony was met by his wife Fulvia and his mother Julia, who had taken refuge with Sextus and been sent by him with warships from Sicily. She was accompanied by some leading Pompeians whose aim was to bring Antony and Sextus into alliance against Octavian. Antony's response to the embassy was to offer alliance in case of war and reconciliation in case of peace, suggesting that Antony believed that a lasting partnership with Octavian was still possible. These new lines of communication with Sextus provided an avenue by which former supporters of the liberators could find their way back from exile; the most prominent of these was Ahenobarbus, who met Antony at sea with his whole army and fleet; this combined force moved together to Brundisium, which was refused entry to the harbour by Octavian's commander.
Despite initially laying siege to Brundisium, the triumvirs were able to negotiate a settlement that provided for a continued peace between them. The Treaty of Brundisium confirmed the de facto state of affairs, while further binding Octavian and Antony through the ill-fated marriage of Octavian's sister Octavia to Antony. Antony furthermore received legions for his planned invasion of Parthia and Octavian received warships to counter the ongoing threat posed by Sextus Pompey. This issue depicts the now deified Caesar on the obverse, sometimes with a lituus – the augur's staff representing his membership to the priestly college of augurs. Octavian's possession of the augurship was also made clear on an issue with his portrait struck by the same moneyer (CRI 330) emphasising his relationship to Caesar, a propaganda tool also employed by Marc Antony (see CRI 253-5, 257-8). It is well attested how Octavian capitalised tremendously on his posthumous adoption by Caesar; in truth he owed everything he eventually achieved to this twist of fate. Octavian used Caesar's reflected but undimmed prestige to legitimise himself and his ascent to power in the eyes of the Roman people and more importantly the legions, and thus the continuation of (often idealised) Caesar portrait issues at the Roman mint under Octavian's control is hardly surprising.
Though struck during a period of high tension as opposing factions pulled the Republic apart, the reverse type seen here remains unsullied by the events of the day, the moneyer choosing a strictly personal, though perhaps unflattering, composition instead: his cognomen Vitulus translates as cow or calf. Unusually for silver issues however, this particular type declares that it was struck under the express mandate of the Senate, displaying the formula S C flanking the main design.