Roma Numismatics Ltd
Auction X 27 September 2015
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Mysia, Kyzikos EL Stater. Circa 500-450 BC. Europa, hair tied up in bun and wearing short-sleeved garment, seated on the back of Zeus in the form of a white bull who charges to left, her right hand holding on to a horn, the left resting on his rump; below, tunny fish to left / Quadripartite incuse square. Von Fritze 108, pl. III, 27; Boston MFA 1477; SNG France 250. 16.07g, 19mm.
Extremely Fine. Extremely Rare.
This issue appears to have been fairly uniformly struck on flans that were just a little too short - both the von Fritze and Boston specimens are missing the top part of Europa's head. The design is nevertheless charming and well executed, at least insofar as the die engraving is concerned.
The reverse design of this coin is almost identical to one featured on a unique tetradrachm of Abdera (Roma IV, lot 242), which shows Europa in the same pose on the back of the bull. Both follow a well established artistic and literary tradition that can be traced back as far as the 8th century BC, according to Herodotus' dating of Homer, though the myth itself is certainly much older than its earliest known literary appearance (in the Iliad), and its earliest securely dateable visual appearance, which is not seen until the mid-7th century BC.
We find the same treatment of the scene in Ovid's Metamorphoses many centuries later:
"And gradually she lost her fear, and he offered his breast for her virgin caresses, his horns for her to wind with chains of flowers until the princess dared to mount his back, her pet bull's back, unwitting whom she rode. Then - slowly, slowly down the broad, dry beach - first in the shallow waves the great god set his spurious hooves, then sauntered further out 'til in the open sea he bore his prize. Fear filled her heart as, gazing back, she saw the fast receding sands. Her right hand grasped a horn, the other lent upon his back; her fluttering tunic floated in the breeze."
Extremely Fine. Extremely Rare.
This issue appears to have been fairly uniformly struck on flans that were just a little too short - both the von Fritze and Boston specimens are missing the top part of Europa's head. The design is nevertheless charming and well executed, at least insofar as the die engraving is concerned.
The reverse design of this coin is almost identical to one featured on a unique tetradrachm of Abdera (Roma IV, lot 242), which shows Europa in the same pose on the back of the bull. Both follow a well established artistic and literary tradition that can be traced back as far as the 8th century BC, according to Herodotus' dating of Homer, though the myth itself is certainly much older than its earliest known literary appearance (in the Iliad), and its earliest securely dateable visual appearance, which is not seen until the mid-7th century BC.
We find the same treatment of the scene in Ovid's Metamorphoses many centuries later:
"And gradually she lost her fear, and he offered his breast for her virgin caresses, his horns for her to wind with chains of flowers until the princess dared to mount his back, her pet bull's back, unwitting whom she rode. Then - slowly, slowly down the broad, dry beach - first in the shallow waves the great god set his spurious hooves, then sauntered further out 'til in the open sea he bore his prize. Fear filled her heart as, gazing back, she saw the fast receding sands. Her right hand grasped a horn, the other lent upon his back; her fluttering tunic floated in the breeze."