Roma Numismatics Ltd
E-Sale 38 29 Jul 2017
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Mysia, Kyzikos EL Stater. Circa 550-500 BC. Half-length bust of a winged female deity or spirit to left, wearing kekryphalos headdress, round earring and long-sleeved chiton, in her right hand holding a tunny fish by the tail, and raising a flower to her chin; bust truncation indicated by dotted line between parallel lines / Quadripartite incuse square. Von Fritze I 75 and Pl. II, 30; SNG France 205; Boston MFA 1448 = Warren 1519. 16.08g, 20mm.
Near Extremely Fine. Very Rare.
The winged figure on this coin of Kyzikos is most frequently simply described as a winged female, though on occasion numismatists have ventured to suggest that the depiction is that of a harpy, one of the mythical 'snatchers' who were sent by the gods to torment Phineos, the blind seer-king of Thrace, for his transgressions.
Though in the Homeric poems the harpies are nothing more than the personifications of storm winds, Hesiod (c. 750-650 BC) described them as the daughters of Thaumas by the Oceanid Electra; fair-haired and winged maidens, who surpassed the winds and birds in the rapidity of their flight. Archaic pottery depicts them thus, in a manner that closely resembles the winged figures on the coins of Kaunos in Karia - see in particular Wagner Museum L164 - black figure clay vase.
Later tradition portrayed the harpies as hideous half-woman, half-bird creatures - a development resulting from a confusion of harpies with sirens. By the time of Aeschylus (c. 525-455 BC), this transformation was largely complete, though the harpy's 'beautiful' image is still occasionally seen as late as 480 BC - see the J. Paul Getty Museum hydria/kalpis by Kleophrades, on which the harpies are rendered as young winged girls.
The identification of the figure on this stater as a harpy is therefore plausible, though other identifications are also possible. Iris, goddess of the rainbow, was depicted as a winged woman with a herald's staff, as likewise was Nike, though the latter usually carried a wreath or palm. However, none of these beings was associated with flowers, which above all were an attribute of Aphrodite.
Regardless of her identity, the winged deity on this coin is rendered in exquisite detail, from her ornamented cap to her expressive face and crinkly chiton. The same treatment of the chiton can be observed in major art of the archaic period, for example in the east frieze of the Siphnian treasury at Delphi.
Near Extremely Fine. Very Rare.
The winged figure on this coin of Kyzikos is most frequently simply described as a winged female, though on occasion numismatists have ventured to suggest that the depiction is that of a harpy, one of the mythical 'snatchers' who were sent by the gods to torment Phineos, the blind seer-king of Thrace, for his transgressions.
Though in the Homeric poems the harpies are nothing more than the personifications of storm winds, Hesiod (c. 750-650 BC) described them as the daughters of Thaumas by the Oceanid Electra; fair-haired and winged maidens, who surpassed the winds and birds in the rapidity of their flight. Archaic pottery depicts them thus, in a manner that closely resembles the winged figures on the coins of Kaunos in Karia - see in particular Wagner Museum L164 - black figure clay vase.
Later tradition portrayed the harpies as hideous half-woman, half-bird creatures - a development resulting from a confusion of harpies with sirens. By the time of Aeschylus (c. 525-455 BC), this transformation was largely complete, though the harpy's 'beautiful' image is still occasionally seen as late as 480 BC - see the J. Paul Getty Museum hydria/kalpis by Kleophrades, on which the harpies are rendered as young winged girls.
The identification of the figure on this stater as a harpy is therefore plausible, though other identifications are also possible. Iris, goddess of the rainbow, was depicted as a winged woman with a herald's staff, as likewise was Nike, though the latter usually carried a wreath or palm. However, none of these beings was associated with flowers, which above all were an attribute of Aphrodite.
Regardless of her identity, the winged deity on this coin is rendered in exquisite detail, from her ornamented cap to her expressive face and crinkly chiton. The same treatment of the chiton can be observed in major art of the archaic period, for example in the east frieze of the Siphnian treasury at Delphi.