Numismatica Ars Classica
Auction 116 1 Oct 2019
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Syracuse
Double-decadrachm signed by Kimon circa 400, AV 5.79 g. [Σ]ΥΡΑ[ΚΟΣΙΟΝ] Head of Arethusa l., hair elaborately waved and caught up behind in sphendone ornamented with star and wearing necklace, bar and triple-pendant earring; behind head, barley-grain and signature KI. Rev. ΣΥΡΑΚΟΣΙΟΝ Naked young Heracles kneeling r. on rocky ground, head to front, strangling the Nemean lion with both arms; in upper r. field, ivy leaf. Rizzo pl. L, 10 (this reverse illustrated). De Ciccio 4 (these dies). SNG ANS 320 (these dies). Bérend 3 (these dies).
Rare. A superb specimen of this desirable issue, almost invisible traces of
die rust on reverse, otherwise extremely fine
Ex Leu 45, 1988, 64; Gemini V, 2009, 367 and Gemini VII, 2011, 171 sales. From the duplicates of the American Numismatic Society (inv. #1997.9.78), the estate of John D. Leggett, Jr. and the Dr. Patrick Tan collection.
Before this series, gold coinage in the Western Mediterranean was episodic, and was only issued in times of emergency. Syracuse had traditionally set trends for coinage in Sicily, so it comes as no surprise that it led the way on the issuance of gold. The need for gold coinage in such quantity must have been military, and we can speculate that these coins were used to pay the mercenaries whom Dionysios I hired to promote his ambitions. The obverse die used to strike this coin bears the letters KI, and thus is assigned to the engraver Kimon. That he would sign this masterful die is not unexpected, for it is the original obverse die for the entire series, which in total utilized more than forty obverse dies before its exhaustion. Most of the dies do not bear signatures, but often they are assigned to Kimon or Euainetos based upon a similarity in style to signed dies. Two other engravers, who signed A and AK (or KA), also produced dies. This coinage was probably introduced sometime around 400 B.C. and appears to have been struck in parallel with the silver decadrachms of the Kimon and Euainetos types. Though the precise date of this gold coinage is not known, the best opinions range from c.406 to c.390 B.C. as the starting point, and c.370/65 B.C. as the end. Of particular value in establishing the context of this coinage are the Avola Hoards (ICGH 2122 and 2124) found not far south of Syracuse, which contained examples of this type in superb condition. Since other gold coins were found with them, including Persian darics and Lampsacus staters, these hoards probably were deposited by c.370 or 360 B.C. Dozens of military actions are spread over the decades of Dionysius' reign, so it is impossible to isolate one that explains the genesis of this series. However, a theory was put forth by Boehringer, who associated these coins with Dionysius' great victory over the besieging Carthaginians in 396 or 395. He suggested that because the Carthaginians were routed at their encampment on the plain at the Anapus river, to the south of Syracuse, it was meaningful that the half-denomination of this series, the gold dekadrachm (50-litra), portrays the river-god Anapus. Perhaps fortifying this idea is a report by Diodorus (14.75.1-3) that Dionysius collected 300 talents from the Carthaginian commander Himilco as a term of surrender after the defeat. That influx may have been converted into coinage to pay his troops. It is not clear why the Herakles-and-lion type was introduced with this issue, though it may be emblematic of the Greek struggle against the Carthaginians, with the lion being symbolic of that culture.
Double-decadrachm signed by Kimon circa 400, AV 5.79 g. [Σ]ΥΡΑ[ΚΟΣΙΟΝ] Head of Arethusa l., hair elaborately waved and caught up behind in sphendone ornamented with star and wearing necklace, bar and triple-pendant earring; behind head, barley-grain and signature KI. Rev. ΣΥΡΑΚΟΣΙΟΝ Naked young Heracles kneeling r. on rocky ground, head to front, strangling the Nemean lion with both arms; in upper r. field, ivy leaf. Rizzo pl. L, 10 (this reverse illustrated). De Ciccio 4 (these dies). SNG ANS 320 (these dies). Bérend 3 (these dies).
Rare. A superb specimen of this desirable issue, almost invisible traces of
die rust on reverse, otherwise extremely fine
Ex Leu 45, 1988, 64; Gemini V, 2009, 367 and Gemini VII, 2011, 171 sales. From the duplicates of the American Numismatic Society (inv. #1997.9.78), the estate of John D. Leggett, Jr. and the Dr. Patrick Tan collection.
Before this series, gold coinage in the Western Mediterranean was episodic, and was only issued in times of emergency. Syracuse had traditionally set trends for coinage in Sicily, so it comes as no surprise that it led the way on the issuance of gold. The need for gold coinage in such quantity must have been military, and we can speculate that these coins were used to pay the mercenaries whom Dionysios I hired to promote his ambitions. The obverse die used to strike this coin bears the letters KI, and thus is assigned to the engraver Kimon. That he would sign this masterful die is not unexpected, for it is the original obverse die for the entire series, which in total utilized more than forty obverse dies before its exhaustion. Most of the dies do not bear signatures, but often they are assigned to Kimon or Euainetos based upon a similarity in style to signed dies. Two other engravers, who signed A and AK (or KA), also produced dies. This coinage was probably introduced sometime around 400 B.C. and appears to have been struck in parallel with the silver decadrachms of the Kimon and Euainetos types. Though the precise date of this gold coinage is not known, the best opinions range from c.406 to c.390 B.C. as the starting point, and c.370/65 B.C. as the end. Of particular value in establishing the context of this coinage are the Avola Hoards (ICGH 2122 and 2124) found not far south of Syracuse, which contained examples of this type in superb condition. Since other gold coins were found with them, including Persian darics and Lampsacus staters, these hoards probably were deposited by c.370 or 360 B.C. Dozens of military actions are spread over the decades of Dionysius' reign, so it is impossible to isolate one that explains the genesis of this series. However, a theory was put forth by Boehringer, who associated these coins with Dionysius' great victory over the besieging Carthaginians in 396 or 395. He suggested that because the Carthaginians were routed at their encampment on the plain at the Anapus river, to the south of Syracuse, it was meaningful that the half-denomination of this series, the gold dekadrachm (50-litra), portrays the river-god Anapus. Perhaps fortifying this idea is a report by Diodorus (14.75.1-3) that Dionysius collected 300 talents from the Carthaginian commander Himilco as a term of surrender after the defeat. That influx may have been converted into coinage to pay his troops. It is not clear why the Herakles-and-lion type was introduced with this issue, though it may be emblematic of the Greek struggle against the Carthaginians, with the lion being symbolic of that culture.