Fritz Rudolf Künker GmbH & Co. KG
Auction 334 17 Mar 2020
View prices realized
► Sale information
Find similar lots
JEWISH HISTORY IN MODERN MEDALS. EUROPEAN MEDALS. ITALY. VENICE.
Cast bronze medal, undated, unsigned. Bust of Moses with ram's horns to the l.//The Hebrew text of Exodus 20,3: „non habebis deos alienos coram me" in four lines. 36,15 mm; 31,28 g. P. Rizzini, Illustrazione del civici musei di Brescia: Medaglie, Brescia 1892, no. 1413; Toderi – Vannel no. 813.
R Later cast, nearly very fine
Moses's depiction with horns (in this case with ram's horns) traces back to the book Exodus's Latin translation by the church father Hieronymus. He translated the Hebrew text of Exodus 34, 30 into Latin: "videntes autem Aaron et filii Israhel cornutam Mosi faciem timuerunt prope accedere." (Aaron and all the people of Israel saw Moses, and behold, the skin of his face shone, and they were afraid to come near him). There can be no doubt that the Hebrew text wanted to say that Moses's face was glorified, when he came down from mount Sinai with the two tablets inscribed with Yahweh's commandments. To all appearances, Hieronymus thought that in Hebrew "horned" was a metaphoric expression for a luminous face reflecting the glory of God. It was quite late in West European art – namely in the High Middle Ages – that the visual arts started to represent Moses horned. The most famous representation of ,Moses cornatus' is Michelangelo's statue in St. Peter in Rome. Ram's horns as Moses's head ornament – as in the case of this medallion – may have been chosen for their resemblance to the shofar which was a well known symbol for Judaism.
Cast bronze medal, undated, unsigned. Bust of Moses with ram's horns to the l.//The Hebrew text of Exodus 20,3: „non habebis deos alienos coram me" in four lines. 36,15 mm; 31,28 g. P. Rizzini, Illustrazione del civici musei di Brescia: Medaglie, Brescia 1892, no. 1413; Toderi – Vannel no. 813.
R Later cast, nearly very fine
Moses's depiction with horns (in this case with ram's horns) traces back to the book Exodus's Latin translation by the church father Hieronymus. He translated the Hebrew text of Exodus 34, 30 into Latin: "videntes autem Aaron et filii Israhel cornutam Mosi faciem timuerunt prope accedere." (Aaron and all the people of Israel saw Moses, and behold, the skin of his face shone, and they were afraid to come near him). There can be no doubt that the Hebrew text wanted to say that Moses's face was glorified, when he came down from mount Sinai with the two tablets inscribed with Yahweh's commandments. To all appearances, Hieronymus thought that in Hebrew "horned" was a metaphoric expression for a luminous face reflecting the glory of God. It was quite late in West European art – namely in the High Middle Ages – that the visual arts started to represent Moses horned. The most famous representation of ,Moses cornatus' is Michelangelo's statue in St. Peter in Rome. Ram's horns as Moses's head ornament – as in the case of this medallion – may have been chosen for their resemblance to the shofar which was a well known symbol for Judaism.