Artemide Aste s.r.l.
Auction 52E 29-30 Aug 2020
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Gordian III (238-244). AR Antoninianus, Rome mint. D/ IMP GORDIANVS PIVS FEL AVG. Radiate, draped and cuirassed bust right. R/ VIRTVTI AVGVSTI. The "Farnese " Hercules, naked, standing right, right hand on hip, and resting on club set on rock; lion skin beside club. RIC 95. AR. g. 4.18 mm. 22.00 Lovely iridescent toning, with blue hues. VF/Good VF.
This reverse type is modelled after, or based on the same subject as, the famed marble Farnese Hercules statue that was discovered in the excavations of the Baths of Caracalla in 1546. It stood for over 200 years in the Palazzo Farnese in Rome, from whence it gained its name, and was moved to Naples in 1787, where it is now displayed in the Museo Archeologico Nazionale. The statue is thought to be an enlarged copy sculpted in the early 3rd century AD by Glykon based on an original by Lysippos dating to the 4th century BC. The statue depicts Hercules at rest after completing his Labors: he is shown standing with his club, draped in the skin of the Nemean Lion, set upright on a rock, propped under his left arm supporting the weight of his muscular frame, his head slightly nodding forward in a weary attitude, and he holds the apples of the Hesperides behind his back in his right hand. The sculpture was apparently well-liked by the Romans, and copies have been found in Roman palaces and gymnasiums. (CNG, inv. 975456 note).
This reverse type is modelled after, or based on the same subject as, the famed marble Farnese Hercules statue that was discovered in the excavations of the Baths of Caracalla in 1546. It stood for over 200 years in the Palazzo Farnese in Rome, from whence it gained its name, and was moved to Naples in 1787, where it is now displayed in the Museo Archeologico Nazionale. The statue is thought to be an enlarged copy sculpted in the early 3rd century AD by Glykon based on an original by Lysippos dating to the 4th century BC. The statue depicts Hercules at rest after completing his Labors: he is shown standing with his club, draped in the skin of the Nemean Lion, set upright on a rock, propped under his left arm supporting the weight of his muscular frame, his head slightly nodding forward in a weary attitude, and he holds the apples of the Hesperides behind his back in his right hand. The sculpture was apparently well-liked by the Romans, and copies have been found in Roman palaces and gymnasiums. (CNG, inv. 975456 note).