Classical Numismatic Group, LLC
Auction 121 6-8 Oct 2022
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BRUTTIUM, Rhegion. Circa 415/0-387 BC. AR Tetradrachm (24mm, 16.76 g, 5h). Lion mask facing / Head of Apollo right, wearing laurel wreath; olive sprig to left, PHΓIИOИ to right. Herzfelder 75 (D43/R63); HN Italy 2496; SNG ANS 660; Boston MFA 204 = Warren 174 (same dies); Hermitage Sale II 206 (same dies); Kraay & Hirmer 288 (same rev. die). Toned, minor roughness. Good VF. Well centered and struck.
From the Father & Son Collection. Ex Künker 326 (7 October 2019), lot 578.
This issue of coinage corresponds to quite an eventful period in the history of Rhegion. Around 415/0 BC, the reverse type on the tetradrachms changed from a seated figure to the head of Apollo. It is thought that this significant change was precipitated by a change in regime in the city. In the mid 5th century, Rhegion was a steadfast supporter of Athenian interests in Magna Graecia, especially in 427 BC, when Rhegion provided its port as a base from which Athens could operate. By the time of the Athenian Expedition in 415 BC, however, Rhegion refused to participate, and remained neutral, an act that effectively blocked Athens' access to the straits. The timing of the beginning of this issue roughly coincides with this event. Rhegion's ambivalence towards Athens, though, did not translate into support for the interests of Syracuse. Perhaps wishing to distance itself from the turmoil in Sicily, Rhegion allied itself with the other major cities of southern Italy in a coalition against Dionysios I, the tyrant of Syracuse. Unfortunately, this decision proved disastrous, as Dionysios invaded Bruttium, and fought against the cities from 399-386 BC, with the result that Rhegion was reduced to near non-existence until it was refounded by Dionysios II in 360 BC. It seems likely that the bountiful tetradrachm coinage struck during this period was used to finance military activity. In any event, these coins exemplify the high aesthetic standard of the Classical Period that is common to the coins of Magna Graecia at this time. The facing lion head is rendered in a bold, detailed manner, as is the head of Apollo, carefully depicted as a serene deity. What separates these coins from their contemporaries is the depth of the relief, which was extraordinarily high. The effect is particularly striking on the obverse, where the lion head has an unsurpassed exceptional three-dimensional quality.
From the Father & Son Collection. Ex Künker 326 (7 October 2019), lot 578.
This issue of coinage corresponds to quite an eventful period in the history of Rhegion. Around 415/0 BC, the reverse type on the tetradrachms changed from a seated figure to the head of Apollo. It is thought that this significant change was precipitated by a change in regime in the city. In the mid 5th century, Rhegion was a steadfast supporter of Athenian interests in Magna Graecia, especially in 427 BC, when Rhegion provided its port as a base from which Athens could operate. By the time of the Athenian Expedition in 415 BC, however, Rhegion refused to participate, and remained neutral, an act that effectively blocked Athens' access to the straits. The timing of the beginning of this issue roughly coincides with this event. Rhegion's ambivalence towards Athens, though, did not translate into support for the interests of Syracuse. Perhaps wishing to distance itself from the turmoil in Sicily, Rhegion allied itself with the other major cities of southern Italy in a coalition against Dionysios I, the tyrant of Syracuse. Unfortunately, this decision proved disastrous, as Dionysios invaded Bruttium, and fought against the cities from 399-386 BC, with the result that Rhegion was reduced to near non-existence until it was refounded by Dionysios II in 360 BC. It seems likely that the bountiful tetradrachm coinage struck during this period was used to finance military activity. In any event, these coins exemplify the high aesthetic standard of the Classical Period that is common to the coins of Magna Graecia at this time. The facing lion head is rendered in a bold, detailed manner, as is the head of Apollo, carefully depicted as a serene deity. What separates these coins from their contemporaries is the depth of the relief, which was extraordinarily high. The effect is particularly striking on the obverse, where the lion head has an unsurpassed exceptional three-dimensional quality.