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Triton XVII Sessions 1 & 2 7 January 2014
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Q. Pomponius Musa. 56 BC. AR Denarius (19mm, 3.88 g, 12h). Rome mint. Diademed head of Apollo right, wearing hair in ringlets; Q • POMPO[NI] downwards to left, MVSA upwards to right / Hercules Musagetes, Conductor of the Muses, standing right, wearing lion skin on shoulders, playing lyre; club to right; HERCVLES downwards to right, MVSARVM downward to left. Crawford 410/1; Sydenham 810; Kestner 3372-3; BMCRR Rome 3602-4; Pomponia 8; CNR 13. VF, toned, a pair of scratches and small flan flaw on obverse under tone.
From the Archer M. Huntington Collection, ANS 1001.1.10529.
The Muses of Q. Pomponius Musa
Although the moneyer Q. Pomponius Musa is unknown to history, his choice of Hercules Musarum and the nine Muses as coin types is remarkable and clearly connected to his cognomen.
The reverses of this series – Hercules playing the lyre and the Muses, can be none other than the celebrated statue group by an unknown Greek artist, taken from Ambracia and placed in the Aedes Herculis Musarum, which was erected by M. Fulvius Nobilior in 187 BC after the capture of Ambracia in 189 BC (Plin. NH xxxv.66; Ov. Fast. vi.812). By the second century BC Rome had overrun most of Greece and was captivated by Hellenic art and culture, not the least of which was its sculpture. Fulvius is said to have taken the statues to Rome because he learned in Greece that Hercules was a musagetes (leader of the Muses). Remains of this temple have been found in the area of the Circus Flaminius close to the south-west part of the circus itself, and north-west of the porticus Octaviae. An inscription found nearby, 'M. Fulvius M. f. Ser. n. Nobilior cos. Ambracia cepit;' may have been on the pedestal of one of the statues. The official name of the temple was Herculis Musarum aedes, which Servius and Plutarch called Herculis et Musarum aedes.
From the Archer M. Huntington Collection, ANS 1001.1.10529.
The Muses of Q. Pomponius Musa
Although the moneyer Q. Pomponius Musa is unknown to history, his choice of Hercules Musarum and the nine Muses as coin types is remarkable and clearly connected to his cognomen.
The reverses of this series – Hercules playing the lyre and the Muses, can be none other than the celebrated statue group by an unknown Greek artist, taken from Ambracia and placed in the Aedes Herculis Musarum, which was erected by M. Fulvius Nobilior in 187 BC after the capture of Ambracia in 189 BC (Plin. NH xxxv.66; Ov. Fast. vi.812). By the second century BC Rome had overrun most of Greece and was captivated by Hellenic art and culture, not the least of which was its sculpture. Fulvius is said to have taken the statues to Rome because he learned in Greece that Hercules was a musagetes (leader of the Muses). Remains of this temple have been found in the area of the Circus Flaminius close to the south-west part of the circus itself, and north-west of the porticus Octaviae. An inscription found nearby, 'M. Fulvius M. f. Ser. n. Nobilior cos. Ambracia cepit;' may have been on the pedestal of one of the statues. The official name of the temple was Herculis Musarum aedes, which Servius and Plutarch called Herculis et Musarum aedes.