Numismatica Ars Classica
Auction 134 21 Nov 2022
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Greek Coins. Olympia, Elis.
Tetradrachm 356, the 106th Olympiad, AR 12.24 g. Laureate head of Zeus l. Rev. F – A Eagle standing r., with closed wings, on Ionic capital. Jameson 2102 (this coin). Seltman 182c (this coin). Weber 4048 (this coin). BCD Olympia 121.
Extremely rare. A spectacular portrait of Zeus of fine style struck in high
relief and a wonderful old cabinet tone. Good extremely fine
Ex Sotheby's New York 19 December 1998, 24 and NAC 72, 2013, 365 sales. From the Consul Weber, Jameson, theMoney Museum of Zurich collections and from the collection of an aesthete.
One of the few ancient traditions that survived to be reborn in the modern world is the quadrennial Olympic Games. Though the religious aspect disappeared with the eclipse of Greco-Roman paganism, the spirit of athletic competition among nations has survived intact. Every four years the world's attention turns to these great games, as it did in Olympia so many centuries ago. The coinage issued for these games had numerous purposes – as vehicles for commerce, as a source of income through a mandatory exchange, as a showcase for the works of gifted engravers, as souvenirs for visitors, and as celebrations of Zeus and Hera, who presided over the Sanctuary at Olympia and the games themselves. A narrow range of images dominate Olympic silver coinage, including the portraits of Zeus, his consort Hera and the nymph Olympia, the eagle and thunderbolt as symbols of Zeus, Nike as a symbol of victory, and the laurel wreath as an allusion to the games. Olympic staters appear to have been produced only to coincide with the games, and it has been demonstrated through Charles Seltman's careful die study (1921) that two separate mints contributed, one perhaps at the Temple of Zeus and another at the Temple of Hera. The mint of Hera probably was combined with that of Zeus some time toward the end of the 4th Century B.C., and perhaps a century later the Olympic mint may have been moved to the regional capital of Elis. This tetradrachm from the temple mint of Zeus is a perfect example of the fine workmanship of Olympic coinage of the early Hellenistic period, bearing a forceful head of Zeus and a vigilant eagle perched upon an Ionic capital. Even within the repeating themes at Olympia the engravers celebrated varieties, including on the Zeus/eagle issues, showing the eagle perched variously upon the back of a recumbent ram, a hare, a fawn, a stag's head, a snake, an Ionic column capital, or a simple base.
Tetradrachm 356, the 106th Olympiad, AR 12.24 g. Laureate head of Zeus l. Rev. F – A Eagle standing r., with closed wings, on Ionic capital. Jameson 2102 (this coin). Seltman 182c (this coin). Weber 4048 (this coin). BCD Olympia 121.
Extremely rare. A spectacular portrait of Zeus of fine style struck in high
relief and a wonderful old cabinet tone. Good extremely fine
Ex Sotheby's New York 19 December 1998, 24 and NAC 72, 2013, 365 sales. From the Consul Weber, Jameson, theMoney Museum of Zurich collections and from the collection of an aesthete.
One of the few ancient traditions that survived to be reborn in the modern world is the quadrennial Olympic Games. Though the religious aspect disappeared with the eclipse of Greco-Roman paganism, the spirit of athletic competition among nations has survived intact. Every four years the world's attention turns to these great games, as it did in Olympia so many centuries ago. The coinage issued for these games had numerous purposes – as vehicles for commerce, as a source of income through a mandatory exchange, as a showcase for the works of gifted engravers, as souvenirs for visitors, and as celebrations of Zeus and Hera, who presided over the Sanctuary at Olympia and the games themselves. A narrow range of images dominate Olympic silver coinage, including the portraits of Zeus, his consort Hera and the nymph Olympia, the eagle and thunderbolt as symbols of Zeus, Nike as a symbol of victory, and the laurel wreath as an allusion to the games. Olympic staters appear to have been produced only to coincide with the games, and it has been demonstrated through Charles Seltman's careful die study (1921) that two separate mints contributed, one perhaps at the Temple of Zeus and another at the Temple of Hera. The mint of Hera probably was combined with that of Zeus some time toward the end of the 4th Century B.C., and perhaps a century later the Olympic mint may have been moved to the regional capital of Elis. This tetradrachm from the temple mint of Zeus is a perfect example of the fine workmanship of Olympic coinage of the early Hellenistic period, bearing a forceful head of Zeus and a vigilant eagle perched upon an Ionic capital. Even within the repeating themes at Olympia the engravers celebrated varieties, including on the Zeus/eagle issues, showing the eagle perched variously upon the back of a recumbent ram, a hare, a fawn, a stag's head, a snake, an Ionic column capital, or a simple base.