Numismatica Ars Classica
Auction 138 18-19 May 2023
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Naxos.
Chalcidian drachm circa 500, AR 5.95 g. Ivy-wreathed head of Dionysus l., with pointed beard and hair in form of dots, falling in waves over neck. Rev. NAXION Bunch of grapes hanging from stalk between two leaves. Pozzi 503 (probably these dies). Cahn 33 (probably these dies).
An exceedingly rare variety of a very rare type and in superb condition for this very
difficult issue. A portraitof excellent Archaic style struck in high relief on a
large flan. Lovely old cabinet tone and extremely fine
From an Exceptional Collection assembled between the early 70s and late 90s. The coinage of Naxos is especially useful as a guide to Greek art style on coinage down to about 400 B.C. The four major issues present different styles of art - a feature unequalled in so compact a manner at any other Greek mint. This first issue is fully Archaic, the second, attributed to the Aetna Master, combines the qualities of the late Archaic and the early Classical, the third is fully Classical, and the fourth offers a significantly different version of a familiar composition, as Dionysus is shown as an effeminate young man with his hair drawn into a bun at the nape of the neck. It is hard to imagine a more perfect male head of the Archaic age than the one on this early coin of Naxos. It compares so favourably with Athenian Black Figure paintings of c. 575-525 B.C. (especially works of the Heidelberg Painter) that we must seriously consider them to be a source of inspiration for this engraver. We should also see this coin as an archaising effort, as naturalism of form had already begun to find its place in Greek art by the time this coin was struck. The viewer's attention is drawn to the eye, mouth, nose and cheek of Dionysus, as they are perfectly rendered and framed by the roughly hewn hair and spearlike beard. The reverse is interesting for its comparative simplicity: an ideal composition is achieved with the grape cluster and the peripheral decoration of the vine, leaves and ethnic. By representing the grapes in full, yet the grape leaves only in outline, the engraver has added an arresting twist to his design.
Chalcidian drachm circa 500, AR 5.95 g. Ivy-wreathed head of Dionysus l., with pointed beard and hair in form of dots, falling in waves over neck. Rev. NAXION Bunch of grapes hanging from stalk between two leaves. Pozzi 503 (probably these dies). Cahn 33 (probably these dies).
An exceedingly rare variety of a very rare type and in superb condition for this very
difficult issue. A portraitof excellent Archaic style struck in high relief on a
large flan. Lovely old cabinet tone and extremely fine
From an Exceptional Collection assembled between the early 70s and late 90s. The coinage of Naxos is especially useful as a guide to Greek art style on coinage down to about 400 B.C. The four major issues present different styles of art - a feature unequalled in so compact a manner at any other Greek mint. This first issue is fully Archaic, the second, attributed to the Aetna Master, combines the qualities of the late Archaic and the early Classical, the third is fully Classical, and the fourth offers a significantly different version of a familiar composition, as Dionysus is shown as an effeminate young man with his hair drawn into a bun at the nape of the neck. It is hard to imagine a more perfect male head of the Archaic age than the one on this early coin of Naxos. It compares so favourably with Athenian Black Figure paintings of c. 575-525 B.C. (especially works of the Heidelberg Painter) that we must seriously consider them to be a source of inspiration for this engraver. We should also see this coin as an archaising effort, as naturalism of form had already begun to find its place in Greek art by the time this coin was struck. The viewer's attention is drawn to the eye, mouth, nose and cheek of Dionysus, as they are perfectly rendered and framed by the roughly hewn hair and spearlike beard. The reverse is interesting for its comparative simplicity: an ideal composition is achieved with the grape cluster and the peripheral decoration of the vine, leaves and ethnic. By representing the grapes in full, yet the grape leaves only in outline, the engraver has added an arresting twist to his design.