Numismatica Ars Classica
Auction 143 7 May 2024
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The Dioscuri Collection. The Roman Republic.
L. Flaminius Chilo. Denarius 43, AR 21 mm, 3.90 g. Laureate head of Caesar r. Rev. L·FLAMINIVS – IIII VIR Goddess standing l., holding caduceus in r. hand and sceptre in l. Babelon Julia 45 and Flaminia 3. C 26. Sydenham 1089. Sear Imperators 113. RBW –. Crawford 485/1.
Rare. A superb portrait of excellent style and the work of a very skilled master-engraver.
Struck in high relief on a very broad flan, unobtrusive areas of
weakness, otherwise virtually as struck and almost Fdc
Ex Tkalec 29 February 2008, 269; Künker 174, 2010, 586 and NAC 94, 2016, 13 sales.
Few portraits of Julius Caesar are as well-executed as those on this issue of 43 B.C. by the moneyer L. Flaminius Chilo. It is obvious even to the untrained eye that special care was taken in the engraving of Caesar's portrait. This must have involved considerable effort, especially since the earlier Caesar portraits of 44 B.C. often are of such poor quality. The demands that such an improvement in artistry would have placed on the engravers at the Rome mint likely were difficult to meet. For this reason, it is suspected that these denarii could not have been created until after Octavian had arrived in Rome late in the summer of 43 B.C., and had secured his position. Crawford notes that the identity of the rather ambiguous god on the reverse is not certain, though it likely is Venus or Pax. In either case, he reasons that the sceptre represents dominion and the caduceus symbolises Felicitas. The other denarius type of this moneyer is equally pro-Caesarean, as it pairs a head of Venus Victrix with Victory in a biga.
L. Flaminius Chilo. Denarius 43, AR 21 mm, 3.90 g. Laureate head of Caesar r. Rev. L·FLAMINIVS – IIII VIR Goddess standing l., holding caduceus in r. hand and sceptre in l. Babelon Julia 45 and Flaminia 3. C 26. Sydenham 1089. Sear Imperators 113. RBW –. Crawford 485/1.
Rare. A superb portrait of excellent style and the work of a very skilled master-engraver.
Struck in high relief on a very broad flan, unobtrusive areas of
weakness, otherwise virtually as struck and almost Fdc
Ex Tkalec 29 February 2008, 269; Künker 174, 2010, 586 and NAC 94, 2016, 13 sales.
Few portraits of Julius Caesar are as well-executed as those on this issue of 43 B.C. by the moneyer L. Flaminius Chilo. It is obvious even to the untrained eye that special care was taken in the engraving of Caesar's portrait. This must have involved considerable effort, especially since the earlier Caesar portraits of 44 B.C. often are of such poor quality. The demands that such an improvement in artistry would have placed on the engravers at the Rome mint likely were difficult to meet. For this reason, it is suspected that these denarii could not have been created until after Octavian had arrived in Rome late in the summer of 43 B.C., and had secured his position. Crawford notes that the identity of the rather ambiguous god on the reverse is not certain, though it likely is Venus or Pax. In either case, he reasons that the sceptre represents dominion and the caduceus symbolises Felicitas. The other denarius type of this moneyer is equally pro-Caesarean, as it pairs a head of Venus Victrix with Victory in a biga.