Nomos AG
obolos 16 11 Oct 2020
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THRACE. Deultum. Severus Alexander, 222-235. Diassarion (Bronze, 24 mm, 8.91 g, 7 h). [IMP C M A]VR SEV ALEXANDER AVG Laureate, draped and cuirassed bust of Severus Alexander to right. Rev. COL [F]L PA-C DEVLT The Satyr Marsyas advancing to right, extending his right hand in greeting and holding wineskin over his shoulder with his left hand. Draganov 418 (O44/R83). Varbanov 2319. Youroukova 143. Brown patina. Good fine.
From the Vineyard Collection, ex Numus & Ars 45, 19 February 2003, 481.
Marsyas was a Phrygian satyr connected to the worship of Dionysos via his flute playing: he was one of the Tityroi, the double-flute playing satyrs in the train of the god. Legend said that it was Marsyas who invented flute playing. The story goes that Athena had crafted the very first flute, but discarded it because she did not like how it disfigured her cheeks when she blew into it. Marsyas found it and played it beautifully. He felt that he was so good that he challenged the god Apollo to a musical contest, the winner to determine the fate of the loser. Apollo won, of course, and after tying Marsyas to a tree he flayed him alive for his presumption of challenging him.
From the Vineyard Collection, ex Numus & Ars 45, 19 February 2003, 481.
Marsyas was a Phrygian satyr connected to the worship of Dionysos via his flute playing: he was one of the Tityroi, the double-flute playing satyrs in the train of the god. Legend said that it was Marsyas who invented flute playing. The story goes that Athena had crafted the very first flute, but discarded it because she did not like how it disfigured her cheeks when she blew into it. Marsyas found it and played it beautifully. He felt that he was so good that he challenged the god Apollo to a musical contest, the winner to determine the fate of the loser. Apollo won, of course, and after tying Marsyas to a tree he flayed him alive for his presumption of challenging him.